How Attitudes Towards Music Changed Between The Baroque...

Discuss how people’s attitudes towards music changed between the Baroque and romantic eras. Refer to examples from aesthetics, literature and music to support your argument. Since music first started being recorded in neumes long before the start of the Baroque period, it has been evolving with the social and economic developments of the human race. The aesthetics (the principles and the way people approach and appreciate the music) have changed dramatically. This is partly due to the changing world- the way society’s opinions and views on composers have morphed to fit, but also due to the expansion of music as a pastime and activity across the globe. Attitudes towards music have also been shaped by the increasing and diminishing role of the church and religion in its creation, and how music has moved away from only being a religious enhancement to becoming a standalone form of creativity. As music moves from Baroque extravagance through to the stripped and simple classical period, and finally on to the transcendence of the Romantic period, it undergoes a huge transformation, which naturally affects the way people look on it, as it changes from be ing a mere function into a rich, diverse and colorful art form. Throughout music history, there has often been two main groups of aesthetic ideas- between the upper and lower classes. In the Baroque period, there was all the ‘proper’ music that was meant for dancing, that was commissioned by the upper classes such as the sarabandsShow MoreRelatedAge of Enlightenment and Century5169 Words   |  21 Pages82: Compare and contrast the cultural values of the Enlightenment with those of the sixteenth century Northern Renaissance. 4. 84: Compare and contrast the views of Machiavelli and Rousseau on human nature and the relationship between government and the governed. 5. 85: To what extent is the term Renaissance a valid concept for a distinct period in early modern European history? 6. 88: Describe and analyze the ways in which the development of printingRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagesthese pages would have been started. CONTENTS A Note on the Translation by Bertrand Augst, ix Preface, xi A Note on Terminology, xiii I Phenomenological Approaches to Film Chapter I. On the Impression of Reality in the Cinema, 3 Chapter 2. Notes Toward a Phenomenology of the Narrative, 16 II Problems of Film Semiotics Chapter 3. Chapter 4. Chapter 5. The Cinema: Language or Language System? 31 Some Points in the Semiotics of the Cinema, 92 Problems of Denotation in the Fiction Film, 108 III